Element

//alldesignblog.com // || Lines are thin and light then to create contrast the lights get thicker and darker || Brianna Schaber || The Great Wave Off Kanagawa c. 1829 color woodcut || Lines are a bit thin but dark and curve and are also blue thick ones to get the colors of the sea right. || victoria barragan ||
 * ELEMENT: || IMAGE: ||  || CREDIT LINE || DESCRIPTION: || NAME: ||
 * //Line// || [[image:webkit-fake-url://1D533501-7D67-44A3-BC1F-3840F5F578BE/imgres.jpg caption="imgres.jpg"]] ||  || Andy Burk (450 × 289 - Tags: **Drawing**+on+cars. Tags: Interesting things //1 Comment »//
 * Line || [[image:The_Great_Wave_off_Kanagawa.jpg width="800" height="551"]] ||  || Katsuushika Hokusai (Japan 1829-1832)
 * Line || thin light lines under his eyes ||  ||   ||   ||   ||
 * Line || [[image:rhythm_of_black_lines.jpg width="320" height="325"]] ||  || Piet Mondrian, Rhythm of Black Lines, c.1935/42, Oil on Canvas || The lines in the picture make boxes. Some lines are thick and some are skinny. The lines really catch your eye. || Kiersten Seidel ||
 * Line ||  ||   ||   ||   ||   ||
 * Shape || [[image:van-gogh-vincent-starry-night-7900566.jpg width="318" height="245"]] ||  || Vincent Van Gogh ,__//Starry Night,//__ 1889, Oil on Canvas. || The stars in the sky are very rounded, just as the hills and the town. The night sky is made up of various swirls to create a unique effect with the colors that were chosen. || Gabbie Zeller ||
 * Shape ||  ||   ||   ||   ||   ||
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 * Shape || [[image:27-0023.jpg width="291" height="245"]] ||  || Paul Cezanne, __Fruit and Jug on a Table,__ //1890-1894, Oil on Canvas// || He uses circles for the fruit,the jug, and the plate. The table is also a circle. || Kate Scooler ||
 * Value || file:/Users/1200279/Desktop/value-still-life-christian-hidalgo.jpg ||  || Christian Hidalgo (Ecuadorian, 1988-), __Value Still-Life__, //Painting- Acrylic On Canvas//

//http://fineartamerica.com/featured/value-still-life-christian-hidalgo.html// || The vase and bowl are dark, solid objects that reflect the light in the painting. || Hannah Gutzwiller ||  Claude Monet  Famous French impressionist painter || The woman and the child both cast a shadow in the grass. || Xavier Ward || Acrylic impasto, 8x10 || The way this was painted shows the dog's shaggy fur, giving it a texture, like if you were looking at a real dog. || Ally Shields || ART OF BALANCE  2005, Ilya Zomb, 48 x 54 inches / 122 x 137 cm  Oil on linen
 * Value || [[image:dreamtablevsm.jpeg]] ||  || Don Eddy, Dreamreader's Table V, 1990, acrylic on canvas || The fruits and vegetables are solid objects that are reflecting the light that then casts a shadow. || Aliesha Pendleton ||
 * Value || [[image:file:///Users/1200550/Library/Caches/TemporaryItems/moz-screenshot.png]][[image:file:///Users/1200550/Library/Caches/TemporaryItems/moz-screenshot-1.png]][[image:http://www.artquotes.net/masters/monet/la-prominade-75.jpg width="465" height="578" caption="La Promenade Claude Monet painting" link="http://www.artquotes.net/masters/monet-paintings.htm"]] ||  || Painting Title: La Promenade (La Promenade, la femme à l'ombrelle - Woman with a parasol) 1875
 * Value ||  ||   ||   ||   ||   ||
 * Space || file:/Users/1200320/.Trash/images.jpeg ||  || ======Alvin Richard. Bowl of Fruit on a Mosaic Mile Table sept. 17-23, 2007 6x6 ====== || the space outside of the bowl is negative space and the space inside the bowl with fruit is positive space || Meg Fortner ||
 * Space || this is what I said lol ||  ||   ||   ||   ||
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 * Texture || [[image:20080131154822rivers-edge-green.jpg]] ||  ||   || The way the sun is shining on the grass makes it appear soft. The picture almost makes you feel like you are actually there. || Tom Dwyer ||
 * Texture ||  ||   ||   ||   ||   ||
 * Texture || [[image:Hopeful_Aire.jpg width="318" height="256"]] ||  || Sandra Merwin, //Hopeful Aire//, 2008,
 * Texture || [[image:webkit-fake-url://94C7AD04-2332-40F8-90FD-04157F027E02/Vincent_Willem_van_Gogh_082.jpg caption="Vincent_Willem_van_Gogh_082.jpg"]] ||  || Vincent van Gogh, // Paul Gauguin's Armchair //, 1888, oil on canvas, 72-5cm, Amsterdam || The texture of the seat pillow looks soft, but worn in like it has been sat in for a long period of time. || Matt Murphy ||
 * Texture ||  ||   ||   ||   ||   ||
 * Form || [[image:1121037239256_516X794-1.jpg]] ||  || Sergey Prisekin, Elizabeth II; original edition, //1994,Russian Art Gallery, oil on canvas// || The figure in this picture is a 3-dimensional figure. It has width and depth to it. The shading used in the painting makes the image appear more real, and lifelike. || Jessica Blair ||
 * Form || [[image:webkit-fake-url://04930DD5-61BD-43ED-B274-226834579116/1147298977300.jpeg caption="1147298977300.jpeg"]] ||  || Herbert Bayer, Umsekinder, 1933, 13.25 x 22.125, oil on canvas, Private Collection || He uses shading to make the painting look real and 3-D. He uses the bright colors in the sky to make you focus your attention to the pyramids. || Tyler Lyons ||
 * Form || [[image:webkit-fake-url://C4D51372-3E40-4F96-9455-7F0DE54D04F6/1147298977300.jpeg caption="1147298977300.jpeg"]][[image:Art_of_Balance.jpg width="800" height="711"]] Jessi Palkovic

Zomb portrays the space in the portrait by showing all the objects occupying the area and shows symmetrical balance. ||  || ART OF BALANCE  2005, Ilya Zomb, 48 x 54 inches / 122 x 137 cm  Oil on linen || <span style="border-collapse: separate; font-family: arial,Helvetica,Verdana; font-size: medium; line-height: normal;">Zomb portrays the space in the portrait by showing all the objects occupying the area and shows symmetrical balance. || Jessi Palkovic || enamel and aluminum paint with glass on canvas, 82 7/8" x 15' 11 5/8"
 * Form || file:/Users/1200380/Desktop/op00087medium.jpg ||  || Maria Gliese, Velvety Lanterna, Maryland 2005, Oil on Canvas, 20x20 || Marian shows form by using a darker shade to show its farther away making it look three dimensional. || Alysa Shaw ||
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 * Color || [[image:ppVanG-CCastellano.jpg]] ||  || <span style="background-color: #ffffff; border-top-color: #ff3300; border-top-style: solid; border-top-width: 3px; display: block; font-family: inherit; font-size: 12px; font-style: inherit; font-weight: inherit; margin: 0px auto 1.5em; max-width: 930px; min-width: 741px; padding: 0px 15px; position: relative; text-align: left; text-decoration: inherit; width: 930px;"><span style="-ms-zoom: 1; background-color: #f5f5f5; background-position: 0px 100%; display: block; font-family: inherit; font-size: 12px; font-style: inherit; font-weight: inherit; margin: 0px 0px 1.5em; padding: 0px; position: relative; text-decoration: inherit; width: 930px;">"Starry Night in Old San Juan" by Carmen D. Castellano. 16x20"(40.6x50.8cm). Acrylic on canvas.  || A House in the night lit up by the stars in the sky || Kelly Nielsen ||
 * Color || [[image:Animal-Paintings-Free-Screensaver_1.png width="400" height="274"]] ||  ||   || the sun brings out the brightness in the painting by showing that the sun is just coming out. || danny ferlmann ||
 * Color || [[image:bluepoles.jpeg width="380" height="136"]] ||  || **Jackson Pollock, Blue Poles: Number II, 1952,**

http://www.jacksonpollock.com/bluepoles.html || The darker colors emphasize the lighter colors, enhancing them and making them pop out at the viewer. || Nathan Shook ||